Adji Kui I

Game type: Two-row Afro-Cuban mancala (Matanzas, Cuba) — single-lap counter-clockwise sowing from pits with two or more seeds, backward-chaining captures of twos and threes in the opponent's row, and passing on singleton-only positions.

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Overview

Adji Kui designates two rare, culturally significant Afro-Cuban mancala games preserved in and around the historic port city of Matanzas, Cuba. Documented in 1991 by Cuban musicologist and ethnologist Ruth Magalys Wilson Ferrer, these games survived across centuries within an intimate circle of families of Arará descent. Unlike the indigenous Arara peoples of the Brazilian Amazon, Cuba's Arará community represents the proud lineage of Fon, Ewe, Popo, and Mina ancestors transported from the Slave Coast of the Bight of Benin (contemporary Benin and Togo) during the transatlantic slave trade. The name Adji directly reflects the ancestral Ewe and Fon word for mancala, testifying to the enduring strength of West African cultural traditions preserved within Afro-Cuban domestic life.

The first variant, Adji Kui I, belongs firmly to the Oware family while exhibiting distinctive regional adaptations. Play is carried out on a store-less board of twelve pits. Unlike classical Oware, singletons (holes containing only one seed) are strictly prohibited from moving; a player who commands only singletons or empty holes must pass their turn. Captures mirror the familiar backward cascade across opponent holes holding two or three seeds, and the game terminates when the dwindling stones cycle indefinitely around the board, with each player claiming the remaining seeds on their own side.

Board

How to Play

Capturing

End of Game and Winning

Notes


Source: Mancala World – Adji Kui I